建築連結人與空間。「繁殖」的觀念和行為作為「建築繁殖場」所信仰的核心哲學，主要是為了創造屬於新品種的建築結構，探索新的空間思惟，進而啟發年輕世代的建築師；同時，也藉此銜接過去與現在，以迎向充滿各種潛力與可能的未來。

為了使觀者能夠產生具體的「身體感」，進而召喚一種至少是短程──但足以刺激省思──的「空間記憶」，使觀者打破慣性，或甚至強迫重新思考「空間」、「身體」、「記憶」、「環境」等等課題，以省視「建築」與「人的居所」、「自然」以及「技術」的多重關係，「建築繁殖場」團隊準備在普里奇歐尼宮的展場當中，規劃並具體營造出一個足以「充滿」該展示空間的「建築」。

這一「外來殖入」的建築構造將會佈滿、蔓延、佔據住普里奇歐尼宮內部的第一、第二、第三展覽空間，而且，貫穿、通透成為一個連續且具有整體性的路徑或動線，藉此，提供一個可供觸摸、棲息、探索、低吟、踱步之所──這是一個可供身體進入的真實之建築空間，既非數位虛擬也非縮小版的模型複本。普里奇歐尼宮展覽室的空間經過此種解構與重新建構的程序之後，化為一個「柳暗花明又一村」的「可居可游」之新空間，足以引發我們對於自然環境與人為居所的聯想，或甚至對於建築結構的自身之美，產生一種媲美山水結構的視覺驚奇感。

透過對於空間定義的翻轉，此一「造境工程」有意營造一種空間的構造美學，「詩意感」與「意境感」也是此項創作計畫的重要意圖之一。再者，此一「造境工程」除了是對自然與人為居所的一種意象開發、探索、或甚至提問之外，「建築繁殖場」團隊亦試圖透過空間營造，使觀者經由身體的直接感，重新觀照建築、自然、技術、文化與人的複雜關係。

運用另類的建築構造美學與工法，「建築繁殖場」團隊有意透過此一異質建築物件的殖入與穿透，使普里奇歐尼宮的空間產生蛻變，藉以凸顯我們──作為遠道台灣而來的建築團隊──出於台灣在地的環境體驗，而對建築、空間、居所、構造美學與營造技術等等，提出一種兼容在地性與普世性的終極關懷和另類見解。

為了實踐上述「建築繁殖場」的創作計畫暨理念，我們在台南藝術學院「建築繁殖場」母體所在的基地，先行打造一座與「普里奇歐尼宮」等比例（1:1）的實體建築空間，然而，再運用「建築繁殖場」的結構工法，配合拆組式的建造法，將整個空間構築起來。如此，經過反覆修正、拆卸與重組的演練，再將拆卸的建築構造組件裝箱，再由「建築繁殖場」團隊於普里奇歐尼宮的現場重新組構。配合建築空間氛圍的營造，展場空間當中亦將配合各種可能的科技影像與複合媒體的使用，以強化台灣館的視覺豐富性。

To facilitate the spectator with a real, physical sense of his/her body in a space and to further evoke a "space" memory by breaking down the routine thinking of the spectator, or even semi-coercing him/her to question and rethink the pertinent issues of space, body, memory, and nature, the IF team intends to take advantage of its experimental spirit by "implementing" an architectural structure of ingenuity into the space of the Palazzo delle Prigioni in Venice, where the Taiwan Pavilion is located.

This implemented structure will take up, spread, and extend into all of the three exhibition rooms, forming an interpenetrating and mutually related pathway, capable of providing the spectator with a tangible, hospitable architectural space that allows the human body to walk around, move about, and explore. Palazzo delle Prigioni will thus be turned into a new space/place like a transformed landscape that can be dwelled and roamed, which may further boost our spatial imagination and thinking about the natural environments and human dwelling, as well as the visual and tactile feeling towards the beauty of the architectural structure itself. To accommodate the building of a spatial atmosphere, various applications of digital image and mixed media alike will be integrated as well.

By turning over the existing definition of the space in question, this architectural project is not simply an exploration or interrogation about the making of the image of nature and human dwelling, but also means to enhance the spectator to reflect upon the established relationships of architecture, nature, technology, and culture with human beings.

To further realize this exhibition project of the Interbreeding Field as described, a replica of Palazzo delle Prigione of exact same (1:1) scale will first be built nearby the matrix site of the Interbreeding Field at the Tainan National College of the Arts, Taiwan. A distinctive construction method will be applied with spatial exactitude as well as creativity and artistic quality in terms of architectural structure. This structure will be designed as unit sets, which can be assembled and disassembled as efficiently as possible. And it is these unit sets that will be shipped to Palazzo delle Prigione for on location reassembling.